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Tag: early modern

PCCBS Paper on Digital Pedagogy in British Studies

Posted in Conferences, Digital Humanities, and Digital Pedagogy

The following is the text of a paper I was supposed to give for the “Twenty-first Century British Studies Pedagogy: Using Early Modern Digital Resources in the Classroom” panel at the Pacific Coast Conference on British Studies in March 2014. Unfortunately, and at the last minute, I was unable to attend the conference so the wonderful Kim Mclean-Fiander read the response on my behalf.

In 2009’s Debates in the Digital Humanities, Matthew Kirschenbaum asked, “What is Digital Humanities and What’s It Doing in English Departments?” A variation on Kirschenbaum’s question, and one that resonates here for this panel is, “what is digital pedagogy and what does it have to do with British Studies?” This question, I think, is in many ways more complex and fraught than Kirschembaum’s.
While many assume that digital pedagogy equals technology in the classroom (everything from smart podiums to clickers to MOOCs), and while I advocate for experimentation at the assignment level (blogs, timelines, simple mapping exercises) for instructors who are “digi-curious”, I believe that the real point of difference comes when instructors make the digital an intrinsic part of course design. And yet even for dyed-in-the-wool digital humanists the incorporation of critical engagement with digital modes and methods can seem daunting. Still, I would argue that – as demonstrated by these presentations today – the digital affords us creative and (more importantly) rigorous ways to challenge our students to participate in critical and professional ways with our subject matter.
From earliest days the digital humanities have been rooted in historo-literary research, and many of the notable examples continue to focus on British subjects – canonical and extra-canonical analyses of text and context, such as the Auchinleck Manuscript, the Internet Shakespeare Editions, Mapping the English Lake District, to name but a few. Certainly projects like the Map of Early Modern London are pushing forward sophisticated and important ways to associate place and text that could not be accomplished through more traditional “analog” research methods.

Identifying as a /*Digital*/ Humanist

Posted in Conferences, Digital Humanities, Reflections, and Research

que?
So I’ve been thinking …
In the past few weeks I’ve found myself thinking about how I identify with the Digital Humanities and as a Digital Humanist. It’s possible that I’m hyperaware of issues relating to DH right now as I apply for jobs that are specifically or tangentially associated with Digital Studies, but I’ve been a Digital Humanist since long before I ever heard the term. Somewhere on Dropbox is my 2003 application to the UToronto MA program in which I waxed poetic about a digital scriptorium. In the years since I’ve got used to explaining and defending methodologies and perspectives, but recently I’ve been surprised by how many people still find us alien and a little bit threatening. In fact, it really hadn’t occurred to me that there is an “us.”

Toward a better research project

Posted in Digital Pedagogy, Pedagogy, Social Media, and Teaching

The Armada Portrait, Wikimedia Commons

This week my ENGL 1102 students will begin presenting their short research projects. I’ve used this assignment twice before, but this time there are a few new twists. The project still involves the development of a class-wide knowledge base designed to help students better grasp the context of medieval and early modern culture and society, and is designed to reinforce best credible research practices. But whereas the past two iterations involved a complex of technological platforms and communication modes (oral presentation w/ PowerPoint or Prezi-based visual aids, complementary wiki entries, visceral Twitter feedback) this time I’m trying to streamline the process and experience. Students choose from this list of topics that relate to either Elizabethan or medieval England (as identified in the second tetralogy.)