I spent a lot of time this summer thinking about how to streamline my grading process. I spoke with colleagues, read many Profhacker articles (just search Profhacker by “assessment” and you’ll get 101 hits), and looked at my past approaches to embracing a syllabus that expects students to experiment with multimodal forms of composition without having what I consider to be the proper tools for assessing those forms (how the hell DO you properly assess a Google Map?) Sometimes it feels as though I’m marking up a play-text to evaluate a live performance. Not sure if that metaphor works for anyone else, but I’ll stick with it for now.
Category: Pedagogy
A Lesson in Digital Publishing
Posted in Digital Humanities, and Pedagogy
I spent a few hours yesterday working on the Tarlton Project, testing out some theories about Queen’s Men touring practices and split troupe touring (not sure if that’s actually a phrase, but I like it). I found it extremely cathartic (and a justifiable procrastination technique) to juggle ArcGIS Online, Google spreadsheets, and WordPress and see what I could accomplish in a short time. As I wrote in the blog post, the observations were absolutely preliminary, but helped as I begin to frame my paper for the October Sixteenth Century Society and Conference.
To’ings and Fro’ings
Posted in Pedagogy, Reflections, and Writing
Successfully avoiding marking essays today by: 1) Writing frantically – REED article, ISE proposal, RSA presentation. 2) Applying a new theme to the blog (tired…
Skiles Breezeway or Blackfriars Theatre?
Posted in Brittain Fellowship, and Pedagogy
[reposted from TECHStyle]
This week I’m teaching Francis Beaumont’s The Knight of the Burning Pestle as part of my English 1102 course on London City Comedy. The play is usually identified as a breakthrough Early Modern parody (of other plays like The Shoemaker’s Holiday and The Four Prentises) and one of the first English plays to break the fourth wall. It is also a very challenging read, since at any time there are some three interweaving plot lines – not to mention the added noodle-twist of trying to imagine a boys acting company playing both cast and planted audience members.